Greg has put some new work on his website, and again I love his photographs a lot, especially the County Fair work. A very interesting interview (here) explains, why he works the way he does (8*10 inch large format, narrow depth of field, only appr. 2 exposures per subject) and what are the consequences of it (working quite slow and directing a lot..). If I had the money, Greg Miller would be somebody whose work I’d buy.

Greg Miller

Greg Miller "County Fair"

Greg Miller "County Fair"

Greg Miller "County Fair"

Greg Miller "County Fair"

Last week the german Carnival season peaked out, especially in the Rhine Area in Western Germany. I grabbed my camera and tried to find my own view on this crazy event… I put together 2 portfolios, check them out by clicking on the pictures.

Portfolio_1

Carneval / Karneval 2009 Düsseldorf by Daniel Hofer

Portfolio_2

Carnival / Karneval 2009 Düsseldorf by Daniel Hofer

Just found Annie Leibovitz’s new Hollywood Portfolio fo Vanity Fair USA  – here ! The ad’s on vanityfair.com are really annoying though…

I like some of the shots very much, nice concept. What a contrary to the previuous post.

Copyright Annie Leibovitz

Making-Of Videos now here online, I love making-of’s !

Those of you who are not familiar with Richard Renaldi’s work and books, please check his website. i love to click through his website as there are so many different photos and projects to see, though navigation is kind of irritating sometimes.

I wanna recommend his “Touching Strangers”  ( here ) series, where Renaldi asks people who don’t know each other to pose together for a photograph, touching each other in what form ever they like. Great concept.

Richard Renaldi  - Touching strangers www.renaldi.com

Pieter Hugo – Nollywood

February 9, 2009

Pieter Hugo who became well known through his books such as “The Hyena and other man”  shot a new series that I like very much – “Nollywood” . He photographed actors and actresses in Nigeria where the 3rd largest movie industry (after Hollywood and Bollywood… )is located.

The series will be published in book form by Prestel in October 2009 – will buy it for sure!

Find more interesting informations on the project on his gallerists webiste here or by clicking the screenshot below.

pieter-hugo-nollywood

By the way, Hugos website was updated recently, there are some ineresting new portraits there. In another blog I read that Hugo used to work together with Stefan Ruiz at Colors Magazine – no wonder I like both so much!

From Friday to Sunday, “schauraum” shows diploma works from 38 students of my school, the FH Dortmund. Among them my friends Julia Holtkoetter, Katharina Ficek and Maurice Kohl, who did a wonderful book showing portraits of young mongolian people, athletes, musicians etc.

Schauraum., FH Fortmund, Max-Ophüls-Platz 2, 44139 Dortmund, opening Friday, 13th of Feb, 12 p.m. , Sa & So 12 p.m.-6 p.m. www.schau-raum.net

Here some of Maurice’s work – he’ll update his website soon, so check it out.

Maurice Kohl - Dsching, Dsching, Dschingis Kahn

Maurice Kohl - Dsching, Dsching, Dschingis Kahn

Maurice Kohl - Dsching, Dsching, Dschingis Kahn

Maurice Kohl - Dsching, Dsching, Dschingis Kahn

I, OBJECT

Last weekend, about 400 people came to see our “I, OBJECT” show in Duesseldorf-Oberkassel @ the Gloria-Halle (the panorama above shows the installation in the main hall). For us, it was a great experience to put this show together and present some young, high-quality portraiture to a broader audience.Again thank you to all our friends, familes and sponsors who helped us make “I, OBJECT” happen!

Many more pictures on FLICKR – HERE.

I made a video of some installation shots I took last week at the Martin-Gropius-Bau in Berlin, where they showed a large retrospective of Richard Avedon.

No doubt, Richard Avedon is and was one of the greatest portrait photographers EVER. He took countless strong and outstanding photographs, was a master of technique and printing and published some awesome photo books.

Nevertheless, I was kind of disappionted by the Berlin exhibition that closed yesterday. First of all, there was not enough space for all the pictures, what you can see in one of the last pictures of the video. The room that showed Avedons “In the American West” series was so full, that in my opinion the photographs lost a lot of their power. And second, these beautiful prints were mounted on massive aluminum pieces which just doesn’t look good – framed they would look so much more precious, wouldn’t they?

I Object exhibition!

I would like to invite you to the following group exhibition…

I Object exhibition Duesseldorf Gloria halle

14 young photographers show photographs that, in their widest sense, deal with portraiture. Some of my Bergwerk-Ost coalminer photographs will be shown….

Detailed informations soon on www.youngphotographers.de

After I visited the MoMa in early November, i wanted to blog about 2 photographers. First one is Mikhael Subotzky, who is featured in MoMa’s New photography 2008, together with Josephine Meckseper. He shows a series called Beaufort West, and both the prints as well as the way this young south african photographer found his own style of documentary-reportage photography really impressed me.

copyright mikhael subotzky / imagesby.com

See MoMa’s online feature here.

More pictures and interview about another related project here at aperture’s website

Check out his website here.

ballad of sexual dependency by nan goldin

In 2004, Moma acquired a 45 minutes long slideshow by famous photographer Nan Goldin, called “The Ballad of Sexual Dependency ” I guess that for most of you Nan Goldin is a well known photographer, and her photographs have influenced lots of young artists. So I knew her books before, but I had never seen the original slide show which, instead of the book, was the original way of presentation. And allthough I love photobooks and see them very much as an important medium for photographers, I was really appealed much more to her slideshow than to her books. To me, this slideshow was something very special and moving, because the whole ambience in this dark slideshow room, with the music coming with the pictures, felt quite intimate and immediate. The message and intensity of Goldins photographs was so much stronger in the slide show than in her books (at least so different!). So what I want to point out is that it is very important not only to see photographs online (bad!), in a magazine (better!) or in a well-printed books (good!), but to go into museums and galleries and see the original way the artists wanted to show his art work, as the way of the presentation (print, size, way of mounting or framing, slidewshow, beamer etc ….) can give the work a completely different evidence.